JOURNEY
Concept: Rita Addison, Margaret Watson
Design and Implementation: Margaret Watson
Sound Composition: Joe Reitzer
Creation Period: Mid 1995 to Early 1996

Journey was initially produced in mid to late 1995 as the graphics for Synesthesia, a VR project directed by the artist Rita Addison. The graphics for the first two scenes (the ocean and the tunnel) were developed in conjunction with this project. They were created for the CAVE using C programming, IrisGL and the CAVE library. In the end, however, the graphics were not used for Synesthesia. So, the project was completed with the development of a final scene and the addition of audio. Programming for audio was accomplished with NCSA's VSS library.

The final version of Journey was designed to be shown on video as an animation or in VR on an ImmersaDesk. Navigation on the ImmersaDesk was accomplished with the wand and limited to forward and backward movement.


Conceptually, the animation conveys a journey, symbolic of birth, life and death. It begins in an undulating sea with the emergence of a mysterious tunnel on the horizon [1]. The immersant passes through the tunnel [2], encounters particles and photons [3, 4] and then eventually pops into another world at the end of the tunnel. The world is a flowing, liquid place that contains a temple at the end of a golden path [5]. Within the temple [6], a series of images of the past and present scenes within Journey flash in succession. As the immersant approaches the flashing image [7], the images stop on the present scene. The immersant then rises out of the temple, into the flowing sky [8] and finally into nothingness.

Journey was exhibited publicly in a group exhibition by the Electronic Visualization Laboratory at SIGGRAPH 96 in New Orleans. The exhibition, entitled Neither Here Nor There, was an ImmersaDesk exhibit that was shown in both The Digital Bayou and The Bridge Art Show. It was also shown on video at The 6th International Student Film Festival in Tel Aviv, Israel in June of 1996. From September 14, 2000 through February 25, 2001, it was additionally exhibited as a video installation in the Coninx Museum in Zürich, Switzerland as part of the Beyond Borders exhibit.

© 1996 Margaret Watson